[{"data":1,"prerenderedAt":969},["ShallowReactive",2],{"$GQeAZNJbmk":3,"$22Ie8RF0ov":27,"\u002F":53},{"id":4,"title":5,"body":6,"description":7,"extension":8,"links":9,"meta":20,"navigation":21,"path":22,"seo":23,"stem":25,"__hash__":26},"index\u002Findex.yaml","Louise Stevenson",null,"Louise Stevenson is a visual artist based in Tāmaki Makaurau Auckland. Working largely on paper, she moves across drawing, painting, photography, moving image and stitch, weaving personal archives into wider global stories.","yaml",[10,15],{"label":11,"to":12,"icon":13,"color":14},"Email Me","mailto:art@louisestevenson.com","i-simple-icons-gmail","primary",{"label":16,"to":17,"icon":18,"color":19},"Learn More","\u002Fabout","i-lucide-info","secondary",{},true,"\u002F",{"title":24,"description":7},"Home","index","G3l9JALiAHQselcS13xGriQcnpQKBvOH7SxAtbaS7hc",{"id":28,"title":29,"body":30,"description":39,"extension":46,"meta":47,"navigation":21,"path":48,"seo":49,"stem":51,"__hash__":52},"projects\u002Fprojects.md","Projects",{"type":31,"value":32,"toc":43},"minimark",[33],[34,35,36],"u-page-hero",{},[37,38,40],"template",{"v-slot:title":39},"",[41,42,29],"p",{},{"title":39,"searchDepth":44,"depth":44,"links":45},2,[],"md",{},"\u002Fprojects",{"title":29,"description":50},"Projects by Louise Stevenson","projects","8TuBxVe-S_GAhVP5qwozsshJ5uhHGdgUZN0B_8Mf2vM",[54,124,202,297,371,406,508,649,736,840,912],{"id":55,"title":56,"body":57,"date":116,"description":117,"extension":46,"image":92,"meta":118,"navigation":21,"path":119,"seo":120,"stem":122,"__hash__":123},"projectItems\u002Fprojects\u002Fcommunications-building.md","\"For writing letters and putting stamps on\"",{"type":31,"value":58,"toc":113},[59],[60,61,66,70,80,83,86,93,98],"u-container",{"className":62},[63,64,65],"flex","flex-col","items-center",[67,68,56],"h2",{"id":69},"for-writing-letters-and-putting-stamps-on",[71,72],"iframe",{"allow":73,"allow-full-screen":74,"frame-border":75,"referrer-policy":76,"src":77,"style":78,"title":79},"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share","true","0","strict-origin-when-cross-origin","https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FBcOK4ROsVTY?si=CJ85s4xF_BFwVPaF","aspect-ratio: 16\u002F9; width: 100%;","YouTube video player",[41,81,82],{},"Excerpt from HD film, looped, 9.5min",[41,84,85],{},"Film stills",[41,87,88],{},[89,90],"img",{"alt":91,"src":92},"Communications building still image","\u002Fimg\u002Fcommunications-building\u002Fpost-office-imageweb.webp",[41,94,95],{},[89,96],{"alt":91,"src":97},"\u002Fimg\u002Fcommunications-building\u002Fpost-officeweb.webp",[41,99,100,101,105,106,112],{},"\"for writing letters and putting stamps on\" re-encounters the General Post Office in Honiara, Solomon Islands. Interwoven archival imagery, contemporary footage, still images and a recorded interview between Stevenson and her father, who designed the building in 1968, juxtapose colonial perspectives with contemporary realities. Stevenson's paper \"",[102,103,104],"strong",{},"Communications Building: Tropical Modern Architecture from West Africa to the Pacific",",\" in Proceedings of the Society of Architectural Historians, Australia and New Zealand: 31, Translation, edited by Christoph Schnoor (Auckland, New Zealand: SAHANZ and Unitec ePress; and Gold Coast, Queensland: SAHANZ, 2014), 851-863. (",[107,108,111],"a",{"href":109,"target":110},"\u002Fpdf\u002Fcommunications-building\u002FCommunications-Building_Tropical-Modern-Architecture-from-West-Africa-to-the-Pacific-by-Louise-Stevenson.pdf","\\_blank","Read PDF",") expands the historical and contemporary context of this building.",{"title":39,"searchDepth":44,"depth":44,"links":114},[115],{"id":69,"depth":44,"text":56},"2015-01-02","2015",{},"\u002Fprojects\u002Fcommunications-building",{"title":56,"description":121},"\"for writing letters and putting stamps on\" re-encounters the General Post Office in Honiara, Solomon Islands.","projects\u002Fcommunications-building","3xZoaaakhfrB-fzBP3_V3t4GwP-UJrBM_PXcymTs6Wk",{"id":125,"title":126,"body":127,"date":194,"description":195,"extension":46,"image":149,"meta":196,"navigation":21,"path":197,"seo":198,"stem":200,"__hash__":201},"projectItems\u002Fprojects\u002Fin-conversation-with-the-architect.md","In Conversation with the Architect",{"type":31,"value":128,"toc":191},[129],[60,130,132,135,138,141,144,150,156,159,165,171,177],{"className":131},[63,64,65],[67,133,126],{"id":134},"in-conversation-with-the-architect",[71,136],{"allow":73,"allow-full-screen":74,"frame-border":75,"referrer-policy":76,"src":137,"style":78,"title":79},"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FNyOciZYx2QQ?si=RDJCEmcpYbl0YwwV",[41,139,140],{},"HD video, colour, silent, looped 18min.",[41,142,143],{},"Installation view, Images and Islands, Mangere Arts Centre, Auckland, 2013",[41,145,146],{},[89,147],{"alt":148,"src":149},"In conversation with an architect installation 1","\u002Fimg\u002Fin-conversation-with-the-architect\u002F5828web.webp",[41,151,152],{},[89,153],{"alt":154,"src":155},"In conversation with an architect installation 2","\u002Fimg\u002Fin-conversation-with-the-architect\u002F5830web.webp",[41,157,158],{},"Film Stills",[41,160,161],{},[89,162],{"alt":163,"src":164},"Film still 1","\u002Fimg\u002Fin-conversation-with-the-architect\u002FFig18-copyweb.webp",[41,166,167],{},[89,168],{"alt":169,"src":170},"Film still 2","\u002Fimg\u002Fin-conversation-with-the-architect\u002Ffig19-copyweb.webp",[41,172,173],{},[89,174],{"alt":175,"src":176},"Film still 3","\u002Fimg\u002Fin-conversation-with-the-architect\u002FFig21-copy.webp",[41,178,179,180,183,184,190],{},"This work re-visits a conversation with Stevenson's father, Charles Stevenson, about the King George Sixth Secondary School in Honiara, which he designed in 1964. Their discussion is enacted through their hands pointing to Stevenson's footage of the building fifty years later in 2011 (on the left), while an edited text of the dialogue runs in parallel to this (on the right). The work considers issues at stake in the inter-relationship between spoken word and materiality via conversation, architectural history and representational imagery. Stevenson discusses this work in her paper ",[102,181,182],{},"(Re)constructing Tropical Architecture in Solomon Islands: Conversations with my Father",", Fabrications: The Journal of the Society of Architectural Historians, Australia and New Zealand, 24:2, 214-243 (",[107,185,189],{"href":186,"rel":187},"http:\u002F\u002Fdx.doi.org\u002F10.1080\u002F10331867.2014.961231",[188],"nofollow","Read online",")",{"title":39,"searchDepth":44,"depth":44,"links":192},[193],{"id":134,"depth":44,"text":126},"2011-01-03","2011",{},"\u002Fprojects\u002Fin-conversation-with-the-architect",{"title":126,"description":199},"This work re-visits a conversation with Stevenson's father, Charles Stevenson, about the King George Sixth Secondary School in Honiara, which he designed in 1964.","projects\u002Fin-conversation-with-the-architect","HiHJckFMBQqzyrDN04DqtDLjFqpP8VdNuq9iFPoEyFs",{"id":203,"title":204,"body":205,"date":289,"description":290,"extension":46,"image":218,"meta":291,"navigation":21,"path":292,"seo":293,"stem":295,"__hash__":296},"projectItems\u002Fprojects\u002Fking-george-vi-secondary-school.md","King George VI Secondary School",{"type":31,"value":206,"toc":286},[207],[60,208,210,213,219,225,228,231,236,241,246,251,256,261,266,271,276],{"className":209},[63,64,65],[67,211,204],{"id":212},"king-george-vi-secondary-school",[41,214,215],{},[89,216],{"alt":217,"src":218},"King George VI Secondary School installation 1","\u002Fimg\u002Fking-george-vi-secondary-school\u002F20121107_2726-copyweb.webp",[41,220,221],{},[89,222],{"alt":223,"src":224},"King George VI Secondary School installation 2","\u002Fimg\u002Fking-george-vi-secondary-school\u002F20121107_2731-copyweb.webp",[41,226,227],{},"Installation view: Images and Islands, Mangere Arts Centre, Auckland, 2013.",[41,229,230],{},"Selected images: inkjet digital prints on Ilford galerie gloss.",[41,232,233],{},[89,234],{"alt":204,"src":235},"\u002Fimg\u002Fking-george-vi-secondary-school\u002F7374-5-7web.webp",[41,237,238],{},[89,239],{"alt":204,"src":240},"\u002Fimg\u002Fking-george-vi-secondary-school\u002F7440-4-5-copyweb.webp",[41,242,243],{},[89,244],{"alt":204,"src":245},"\u002Fimg\u002Fking-george-vi-secondary-school\u002F7548-1-1-copyweb.webp",[41,247,248],{},[89,249],{"alt":204,"src":250},"\u002Fimg\u002Fking-george-vi-secondary-school\u002F7573v2-1-1_1_1-copyweb.webp",[41,252,253],{},[89,254],{"alt":204,"src":255},"\u002Fimg\u002Fking-george-vi-secondary-school\u002F7579v2-4-5_1-copyweb.webp",[41,257,258],{},[89,259],{"alt":204,"src":260},"\u002Fimg\u002Fking-george-vi-secondary-school\u002F8273-4-5-copyweb.webp",[41,262,263],{},[89,264],{"alt":204,"src":265},"\u002Fimg\u002Fking-george-vi-secondary-school\u002F8325v2-4-5-copyweb.webp",[41,267,268],{},[89,269],{"alt":204,"src":270},"\u002Fimg\u002Fking-george-vi-secondary-school\u002F8527v2-4-5-copyweb.webp",[41,272,273],{},[89,274],{"alt":204,"src":275},"\u002Fimg\u002Fking-george-vi-secondary-school\u002F8556v2-5-7web.webp",[41,277,278,279,282,283,190],{},"A photographic series exploring the King George Secondary School in Honiara, Solomon Islands. Built in 1964 it was the first government co-educational boarding school in the Islands. Funded by the British Colonial Administration it was part of a policy to develop future independence for the islands. Stevenson grew up in Honiara and her father, Charles Stevenson, was the architect of the school complex. The architecture reveals a translation of tropical modern architecture from West Africa to the Pacific region. The revisiting of this site draws on a subjective relationship to the place and her father's perspective. Stevenson discusses this building in her paper \"",[102,280,281],{},"(Re)constructing Tropical Architecture in Solomon Islands: Conversations with my Father,","\" Fabrications: The Journal of the Society of Architectural Historians, Australia and New Zealand, 24:2, 214-243 (",[107,284,189],{"href":186,"rel":285},[188],{"title":39,"searchDepth":44,"depth":44,"links":287},[288],{"id":212,"depth":44,"text":204},"2012-01-02","2012",{},"\u002Fprojects\u002Fking-george-vi-secondary-school",{"title":204,"description":294},"A photographic series exploring the King George Secondary School in Honiara, Solomon Islands.","projects\u002Fking-george-vi-secondary-school","pgo0gGvfvT-7V-r6qrTp2fqj961jatRI6blOwGhCcLM",{"id":298,"title":299,"body":300,"date":363,"description":364,"extension":46,"image":313,"meta":365,"navigation":21,"path":366,"seo":367,"stem":369,"__hash__":370},"projectItems\u002Fprojects\u002Fmaterial-distance.md","Material Distance",{"type":31,"value":301,"toc":360},[302],[60,303,305,308,315,322,329,336,342,348,354],{"className":304},[63,64,65],[67,306,299],{"id":307},"material-distance",[41,309,310],{},[89,311],{"alt":312,"src":313,"width":314},"Cover of Material Distance book","\u002Fimg\u002Fmaterial-distance\u002F8.jpg",700,[41,316,317,318,321],{},"For three years, Stevenson and expatriate writer Jodie Dalgleish, living in Luxembourg, exchanged work across Hemishpheres to explore the 'distance' between them. While they both experienced one extreme event after the next, ",[319,320,299],"em",{}," emerged as the distillation of their creative project.",[41,323,324,325,328],{},"Designed by Studio Katie Kerr, this carefully crafted publication continues an exploration on distance initiated with Stevenson's previous artist's book ",[319,326,327],{},"Someplace Else."," Signed limited edition copies are available to buy.",[330,331],"u-button",{"label":332,"size":333,"to":334,"trailing-icon":335},"Buy","lg","\u002Fshop\u002Fmaterial-distance","i-lucide-shopping-cart",[41,337,338],{},[89,339],{"alt":340,"src":341,"width":314},"Image","\u002Fimg\u002Fmaterial-distance\u002F2.jpg",[41,343,344],{},[89,345],{"alt":346,"src":347,"width":314},"13-crop","\u002Fimg\u002Fmaterial-distance\u002F13-crop.jpg",[41,349,350],{},[89,351],{"alt":352,"src":353,"width":314},"2","\u002Fimg\u002Fmaterial-distance\u002F15.jpg",[41,355,356],{},[89,357],{"alt":358,"src":359,"width":314},"11","\u002Fimg\u002Fmaterial-distance\u002F11.jpg",{"title":39,"searchDepth":44,"depth":44,"links":361},[362],{"id":307,"depth":44,"text":299},"2026-01-01","2026",{},"\u002Fprojects\u002Fmaterial-distance",{"title":299,"description":368},"For three years, Stevenson and expatriate writer Jodie Dalgleish, living in Luxembourg, exchanged work across Hemishpheres to explore the 'distance' between them. While they both experienced one extreme event after the next, Material Distance emerged as the distillation of their creative project.","projects\u002Fmaterial-distance","LcvbWo-X_xK3cd6KtFgvEPv_wmrdYG2bZSMTgAVH9CY",{"id":372,"title":373,"body":374,"date":398,"description":117,"extension":46,"image":399,"meta":400,"navigation":21,"path":401,"seo":402,"stem":404,"__hash__":405},"projectItems\u002Fprojects\u002Fsea-sight-site.md","Sea, Sight, Site",{"type":31,"value":375,"toc":395},[376],[60,377,379,382,385,388],{"className":378},[63,64,65],[67,380,373],{"id":381},"sea-sight-site",[71,383],{"allow":73,"allow-full-screen":74,"frame-border":75,"referrer-policy":76,"src":384,"style":78,"title":79},"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FDLfVBYt383I?si=4F0CUVeBdFUVHkxr",[41,386,387],{},"Excerpt from HD film, sound, 4min, viewed as looped projection.",[41,389,390,391,394],{},"Screened in the exhibition ",[319,392,393],{},"Drawing Is \u002F Not Building",", Adam Art Gallery, Victoria University of Wellington, 2015, the work is a film-sketch and meditation on expatriate experience. Notions of sightseeing and 'site-seeing' are collapsed with speed and transiency. The footage is from Honiara and the coast of Guadalcanal, Solomon Islands.",{"title":39,"searchDepth":44,"depth":44,"links":396},[397],{"id":381,"depth":44,"text":373},"2015-01-01","\u002Fimg\u002Fsea-sight-site\u002FSea,-Sight,-Siteimage10web.webp",{},"\u002Fprojects\u002Fsea-sight-site",{"title":373,"description":403},"Screened in the exhibition Drawing Is \u002F Not Building, Adam Art Gallery, Victoria University of Wellington, 2015, the work is a film-sketch and meditation on expatriate experience.","projects\u002Fsea-sight-site","dfdy6sRDAuCuWPTPqjaNBDIEKx4lLsE0FUKX4ualTVQ",{"id":407,"title":408,"body":409,"date":500,"description":501,"extension":46,"image":422,"meta":502,"navigation":21,"path":503,"seo":504,"stem":506,"__hash__":507},"projectItems\u002Fprojects\u002Fsolomon-islands-national-library.md","The National Solomon Island Library",{"type":31,"value":410,"toc":497},[411],[60,412,414,417,423,429,432,447,450,488,494],{"className":413},[63,64,65],[67,415,408],{"id":416},"the-national-solomon-island-library",[41,418,419],{},[89,420],{"alt":421,"src":422},"Solomon Islands national library installation 1","\u002Fimg\u002Fsolomon-islands-national-library\u002Flibrary-install2-copyweb.webp",[41,424,425],{},[89,426],{"alt":427,"src":428},"Solomon Islands national library installation 2","\u002Fimg\u002Fsolomon-islands-national-library\u002F1076-copy-copy-2web.webp",[41,430,431],{},"Installation view: cabinets at Auckland City Library",[433,434,435,441],"u-page-grid",{},[41,436,437],{},[89,438],{"alt":439,"src":440},"Solomon Islands national library installation 3","\u002Fimg\u002Fsolomon-islands-national-library\u002F1131-copy-copy-3web.webp",[41,442,443],{},[89,444],{"alt":445,"src":446},"Solomon Islands national library installation 4","\u002Fimg\u002Fsolomon-islands-national-library\u002F1139-copy-copy-3web.webp",[41,448,449],{},"Images",[433,451,452,458,464,470,476,482],{},[41,453,454],{},[89,455],{"alt":456,"src":457},"Solomon Islands national libarary image 1","\u002Fimg\u002Fsolomon-islands-national-library\u002Flibrary1-copycropweb.webp",[41,459,460],{},[89,461],{"alt":462,"src":463},"Solomon Islands national libarary image 2","\u002Fimg\u002Fsolomon-islands-national-library\u002Flibrary2-copycropweb.webp",[41,465,466],{},[89,467],{"alt":468,"src":469},"Solomon Islands national libarary image 3","\u002Fimg\u002Fsolomon-islands-national-library\u002Flibrary3-copyweb.webp",[41,471,472],{},[89,473],{"alt":474,"src":475},"Solomon Islands national libarary image 4","\u002Fimg\u002Fsolomon-islands-national-library\u002Flibrary4-copyweb.webp",[41,477,478],{},[89,479],{"alt":480,"src":481},"Solomon Islands national libarary image 5","\u002Fimg\u002Fsolomon-islands-national-library\u002Flibrary5-copyweb.webp",[41,483,484],{},[89,485],{"alt":486,"src":487},"Solomon Islands national libarary image 7","\u002Fimg\u002Fsolomon-islands-national-library\u002Flibrary7-copyweb.webp",[41,489,490],{},[89,491],{"alt":492,"src":493},"Solomon Islands national libarary image 6","\u002Fimg\u002Fsolomon-islands-national-library\u002Flibrary6-copyweb.webp",[41,495,496],{},"A series of photographs and accompanying text on re-visiting the Solomon Islands National Library. Installed in seven cabinets at the Auckland City Library. The photographs were taken in 2011. Built in Honiara in 1967, the building was designed by Stevenson's father. In 2000, in the wake of the ethnic uprising in Honiara, the library closed, re-opening in 2003 with the assistance of the Australian Government through AusAID.",{"title":39,"searchDepth":44,"depth":44,"links":498},[499],{"id":416,"depth":44,"text":408},"2013-01-01","2013",{},"\u002Fprojects\u002Fsolomon-islands-national-library",{"title":408,"description":505},"A series of photographs and accompanying text on re-visiting the Solomon Islands National Library.","projects\u002Fsolomon-islands-national-library","qVln_GqKSxhoM-FFcmWWzrgBs5-XpnUr8POVteQnP48",{"id":509,"title":510,"body":511,"date":641,"description":642,"extension":46,"image":525,"meta":643,"navigation":21,"path":644,"seo":645,"stem":647,"__hash__":648},"projectItems\u002Fprojects\u002Fsomeplace-else.md","Someplace Else - Publication",{"type":31,"value":512,"toc":638},[513],[60,514,516,520,526,536,549,564,572,575,578,584,590,596,602,608,614,620,626,632],{"className":515},[63,64,65],[67,517,519],{"id":518},"someplace-else-artists-book","Someplace Else - Artist's Book",[41,521,522],{},[89,523],{"alt":524,"src":525},"Someplace else book cover","\u002Fimg\u002Fsomeplace-else\u002FSE-1.webp",[41,527,528,535],{},[102,529,530],{},[107,531,534],{"href":532,"rel":533},"https:\u002F\u002Fbestawards.co.nz\u002Fgraphic\u002Feditorial-and-books\u002Fstudio-katie-kerr\u002Fsomeplace-else\u002F",[188],"DINZ Best Awards 2021 Bronze Award Winner",".",[41,537,538,541,542],{},[319,539,540],{},"“The crafted book, designed by Katie Kerr, is true to it's title - it's transportative”"," — ",[102,543,544],{},[107,545,548],{"href":546,"rel":547},"https:\u002F\u002Fwww.louisestevenson.net\u002Fs\u002FSomeplace-Else-article-HERE-magazine.pdf",[188],"HERE, issue 6, 2021",[41,550,551,554,555,554,558,563],{},[319,552,553],{},"“A lavish handbound artist's book by Louise Stevenson concerning her decades of drifting repeatedly between Aotearoa New Zealand and Hungary—is a particularly vivid example of something many of us have probably thought about doing: a collection of the scintillating ephemera of travel preserved to look back on as we might a photo album.” —"," ",[102,556,557],{},"Chris Holdaway,",[107,559,562],{"href":560,"rel":561},"https:\u002F\u002Fcontemporaryhum.com\u002Fwriting\u002Fon-louise-stevensons-someplace-else\u002F",[188],"“On Louise Stevenson's 'Someplace Else'”",", essay for Contemporary HUM",[41,565,566,541,569],{},[319,567,568],{},"“Someplace Else speaks to everyone who has ever been or dreamed of being elsewhere. Each item in Stevenson's carefully considered collection of sculptural ephemera is loaded with meaning, calling on the viewer's own experience of being on the move in unchartered territory, whether that be a new country or new experience in their lives.”",[102,570,571],{},"Chloe Geoghegan, Curator, Te Uru Waitakere Contemporary Gallery",[41,573,574],{},"'Someplace Else' was made with support from Creative New Zealand.",[330,576],{"label":332,"size":333,"to":577,"trailing-icon":335},"\u002Fshop\u002Fsomeplace-else",[41,579,580],{},[89,581],{"alt":582,"src":583},"Someplace else book image 1","\u002Fimg\u002Fsomeplace-else\u002FSE-3.webp",[41,585,586],{},[89,587],{"alt":588,"src":589},"Someplace else book image 2","\u002Fimg\u002Fsomeplace-else\u002F_SKR6219.webp",[41,591,592],{},[89,593],{"alt":594,"src":595},"Someplace else book image 3","\u002Fimg\u002Fsomeplace-else\u002F_SKR6242.webp",[41,597,598],{},[89,599],{"alt":600,"src":601},"Someplace else book image 4","\u002Fimg\u002Fsomeplace-else\u002F_SKR6225.webp",[41,603,604],{},[89,605],{"alt":606,"src":607},"Someplace else book image 5","\u002Fimg\u002Fsomeplace-else\u002F_SKR6228.webp",[41,609,610],{},[89,611],{"alt":612,"src":613},"Someplace else book image 6","\u002Fimg\u002Fsomeplace-else\u002F_SKR6238.webp",[41,615,616],{},[89,617],{"alt":618,"src":619},"Someplace else book image 7","\u002Fimg\u002Fsomeplace-else\u002F_SKR6235.webp",[41,621,622],{},[89,623],{"alt":624,"src":625},"Someplace else book image 8","\u002Fimg\u002Fsomeplace-else\u002F_SKR6239+(1).webp",[41,627,628],{},[89,629],{"alt":630,"src":631},"Someplace else book image 9","\u002Fimg\u002Fsomeplace-else\u002F_SKR6236.webp",[41,633,634],{},[89,635],{"alt":636,"src":637},"Someplace else book image 10","\u002Fimg\u002Fsomeplace-else\u002F_SKR6256.webp",{"title":39,"searchDepth":44,"depth":44,"links":639},[640],{"id":518,"depth":44,"text":519},"2021-01-01","2021",{},"\u002Fprojects\u002Fsomeplace-else",{"title":510,"description":646},"Collaboration with Frances Hansen, First Draft Gallery, Sydney ","projects\u002Fsomeplace-else","MUYsjQI10EmhiaqtFDfOs6xYM082DbGEuERQy23u87s",{"id":650,"title":651,"body":652,"date":727,"description":728,"extension":46,"image":665,"meta":729,"navigation":21,"path":730,"seo":731,"stem":734,"__hash__":735},"projectItems\u002Fprojects\u002Fsomeplace-else-archive.md","Someplace Else: A Travel Archive",{"type":31,"value":653,"toc":724},[654],[60,655,657,660,666,673,676,682,688,694,700,706,712,718],{"className":656},[63,64,65],[67,658,651],{"id":659},"someplace-else-a-travel-archive",[41,661,662],{},[89,663],{"alt":664,"src":665},"Exhibition photo 1","\u002Fimg\u002Fsomeplace-else-archive\u002FIMG_9418.webp",[41,667,668],{},[107,669,672],{"href":670,"rel":671},"https:\u002F\u002Fceac.org.nz\u002Fexhibitions\u002Fsomeplace-else-a-travel-archive",[188],"Solo Exhibition curated by Maddie Gifford, Corban Estate Arts Centre",[41,674,675],{},"Photos by Ralph Brown",[41,677,678,681],{},[319,679,680],{},"\"Someplace Else: A Travel Archive"," speaks to anyone who has ever travelled and negotiated an inescapable pull between two places. Since 1991, Stevenson has been travelling back and forth between Aotearoa New Zealand and Budapest, Hungary. Through accumulated travel ephemera and intimate drawings, this long-running project grapples with poignant shifts in time, culture and geo-political landscapes; between a Moana island and an Eastern-European nation. Disruption to international travel brings these works into the uncertain situation many are experiencing now, nostalgia for travel and a precarious anticipation of when we can return to see loved ones, to travel again to our 'Someplace Else'.\"",[41,683,684],{},[107,685,687],{"href":686,"external":39},"\u002Fpdf\u002Fsomeplace-else-archive\u002FLouise+Stevenson+Booklet_v2.pdf","Exhibition Text (PDF)",[41,689,690],{},[89,691],{"alt":692,"src":693},"Someplace else exhibition 2","\u002Fimg\u002Fsomeplace-else-archive\u002FIMG_9413.webp",[41,695,696],{},[89,697],{"alt":698,"src":699},"Someplace else exhibition 3","\u002Fimg\u002Fsomeplace-else-archive\u002FIMG_9414.webp",[41,701,702],{},[89,703],{"alt":704,"src":705},"Someplace else exhibition 4","\u002Fimg\u002Fsomeplace-else-archive\u002FIMG_9423.webp",[41,707,708],{},[89,709],{"alt":710,"src":711},"Someplace else exhibition 5","\u002Fimg\u002Fsomeplace-else-archive\u002FIMG_9425.webp",[41,713,714],{},[89,715],{"alt":716,"src":717},"Someplace else exhibition 6","\u002Fimg\u002Fsomeplace-else-archive\u002FIMG_9429.webp",[41,719,720],{},[89,721],{"alt":722,"src":723},"Someplace else exhibition 7","\u002Fimg\u002Fsomeplace-else-archive\u002FIMG_9433.webp",{"title":39,"searchDepth":44,"depth":44,"links":725},[726],{"id":659,"depth":44,"text":651},"2022-01-01","2022",{},"\u002Fprojects\u002Fsomeplace-else-archive",{"title":651,"description":732},{"Someplace Else":733},"A Travel Archive speaks to anyone who has ever travelled and negotiated an inescapable pull between two places.","projects\u002Fsomeplace-else-archive","R29tAV-SyS6IhvpCN832GNTjyOfrOlnsSXb-PVG5J1s",{"id":737,"title":738,"body":739,"date":833,"description":642,"extension":46,"image":752,"meta":834,"navigation":21,"path":835,"seo":836,"stem":838,"__hash__":839},"projectItems\u002Fprojects\u002Fsomeplace-else-wall.md","Someplace Else",{"type":31,"value":740,"toc":830},[741],[60,742,744,747,753,760,763,766,772,782,788,794,800,806,812,818,824],{"className":743},[63,64,65],[67,745,738],{"id":746},"someplace-else",[41,748,749],{},[89,750],{"alt":751,"src":752},"Someplace else project wall","\u002Fimg\u002Fsomeplace-else-wall\u002F_DSF7062web.webp",[41,754,755],{},[107,756,759],{"href":757,"rel":758},"https:\u002F\u002Ftetuhi.art\u002Fexhibition\u002Flouise-stevenson-someplace-else\u002F",[188],"Commissioned by Te Tuhi for the Project Wall",[41,761,762],{},"Curated by Andrew Kennedy",[41,764,765],{},"Photos by Sam Hartnett",[41,767,768,771],{},[319,769,770],{},"\"Someplace Else"," speaks to a desire for travel, to discovering and exploring other places. It highlights tensions between home and overseas, between tourist and citizen, between foreigner and resident. Currently, such travel reverie is particularly nostalgic, its future uncertain.",[41,773,774,775,781],{},"Out of a trans-national relationship between Hungary and Aotearoa New Zealand between 1991 and 2019, Stevenson accumulated a body of drawings - recently published in the artist's book ",[319,776,777],{},[107,778,738],{"href":779,"rel":780},"https:\u002F\u002Fwww.louisestevenson.net#\u002Fsomeplace-else-2021\u002F",[188],". She drew on travel ephemera such as airplane tickets, bus passes and museum entries to create intimate works, using stitching, pin-pricks and mark-making. This installation is a further re-mapping: unfolding along crease-lines of travel memory.\"",[41,783,784],{},[89,785],{"alt":786,"src":787},"Somplace else works 1","\u002Fimg\u002Fsomeplace-else-wall\u002F_DSF7066web.webp",[41,789,790],{},[89,791],{"alt":792,"src":793},"Somplace else works 2","\u002Fimg\u002Fsomeplace-else-wall\u002F_DSF7067web.webp",[41,795,796],{},[89,797],{"alt":798,"src":799},"Somplace else works 3","\u002Fimg\u002Fsomeplace-else-wall\u002F_DSF7068web.webp",[41,801,802],{},[89,803],{"alt":804,"src":805},"Somplace else works 4","\u002Fimg\u002Fsomeplace-else-wall\u002F_DSF7071web.webp",[41,807,808],{},[89,809],{"alt":810,"src":811},"Somplace else works 5","\u002Fimg\u002Fsomeplace-else-wall\u002F_DSF7072web.webp",[41,813,814],{},[89,815],{"alt":816,"src":817},"Somplace else works 6","\u002Fimg\u002Fsomeplace-else-wall\u002F_DSF7073web.webp",[41,819,820],{},[89,821],{"alt":822,"src":823},"Somplace else works 7","\u002Fimg\u002Fsomeplace-else-wall\u002F_DSF7074web.webp",[41,825,826],{},[89,827],{"alt":828,"src":829},"Somplace else works 8","\u002Fimg\u002Fsomeplace-else-wall\u002F_DSF7063web.webp",{"title":39,"searchDepth":44,"depth":44,"links":831},[832],{"id":746,"depth":44,"text":738},"2021-01-02",{},"\u002Fprojects\u002Fsomeplace-else-wall",{"title":837,"description":759},"Someplace Else: The Project Wall, Te Tuhi","projects\u002Fsomeplace-else-wall","OBpIzyCuKlKlgjfQ21YDMl9zBOeDd2VxGQ-7DlG5giw",{"id":841,"title":842,"body":843,"date":905,"description":117,"extension":46,"image":853,"meta":906,"navigation":21,"path":907,"seo":908,"stem":910,"__hash__":911},"projectItems\u002Fprojects\u002Ftransparencies.md","Transparencies",{"type":31,"value":844,"toc":902},[845],[60,846,848,855,858,861,864],{"className":847},[63,64,65],[41,849,850],{},[89,851],{"alt":852,"src":853,"height":854},"Transparencies 1","\u002Fimg\u002Ftransparencies\u002Ftransparencies+1+web.webp",4,[67,856,842],{"id":857},"transparencies",[41,859,860],{},"“Transparencies” explores a photographic archive from Stevenson's father, who was an architect in the Public Works Departments in Lagos, Nigeria during the 1950s and Honiara, Solomon Islands from the 1960s to 1990s. Experimenting with 35 mm colour slides these images exploit analogue defects such as mould blooms, scratches, and incorrect exposures by rephotographing slides layered on a light box. The photographs juxtapose images from Nigeria with those from the Solomon Islands, considering the legacy of colonial infrastructure in each.",[41,862,863],{},"Exhibited at ArtWest Exhibition, Auckland, 2018. Awarded the prize for photography by curator Ioana Gordon-Smith.",[433,865,866,872,878,884,890,896],{},[41,867,868],{},[89,869],{"alt":870,"src":871},"Transparencies 2","\u002Fimg\u002Ftransparencies\u002FIMG_3803cb+copy.webp",[41,873,874],{},[89,875],{"alt":876,"src":877},"Transparencies 3","\u002Fimg\u002Ftransparencies\u002FIMG_3812cb+copy.webp",[41,879,880],{},[89,881],{"alt":882,"src":883},"Transparencies 4","\u002Fimg\u002Ftransparencies\u002Ftransparencies+2+web.webp",[41,885,886],{},[89,887],{"alt":888,"src":889},"Transparencies 5","\u002Fimg\u002Ftransparencies\u002Ftransparencies+3+web.webp",[41,891,892],{},[89,893],{"alt":894,"src":895},"Transparencies 6","\u002Fimg\u002Ftransparencies\u002Ftransparencies+6+web.webp",[41,897,898],{},[89,899],{"alt":900,"src":901},"Transparencies 7","\u002Fimg\u002Ftransparencies\u002Ftransprencies+4+web.webp",{"title":39,"searchDepth":44,"depth":44,"links":903},[904],{"id":857,"depth":44,"text":842},"2015-01-03",{},"\u002Fprojects\u002Ftransparencies",{"title":842,"description":909},"“Transparencies” explores a trajectory of tropical modern architecture from Africa to the Pacific during the 1950s to 1970s.","projects\u002Ftransparencies","z-SFLLLFGn9ym3oOXZtUsr4PMsvJB45ST2YKOG3LpiQ",{"id":913,"title":914,"body":915,"date":962,"description":728,"extension":46,"image":925,"meta":963,"navigation":21,"path":964,"seo":965,"stem":967,"__hash__":968},"projectItems\u002Fprojects\u002Funbound.md","Unbound",{"type":31,"value":916,"toc":959},[917],[60,918,920,926,932,938,944,947,950,953],{"className":919},[63,64,65],[41,921,922],{},[89,923],{"alt":924,"src":925},"IMG_1116","\u002Fimg\u002Funbound\u002FIMG_1118.webp",[41,927,928],{},[89,929],{"alt":930,"src":931},"IMG_1117","\u002Fimg\u002Funbound\u002FIMG_1117.webp",[41,933,934],{},[89,935],{"alt":936,"src":937},"A361034B-4498-46B0-8C2E-0B32095A76C5+2","\u002Fimg\u002Funbound\u002FA361034B-4498-46B0-8C2E-0B32095A76C5+2.webp",[41,939,940],{},[89,941],{"alt":942,"src":943},"948EA526-2B7B-4054-A963-C5F8A9F7E47D","\u002Fimg\u002Funbound\u002F948EA526-2B7B-4054-A963-C5F8A9F7E47D.webp",[67,945,914],{"id":946},"unbound",[41,948,949],{},"A series of limited edition prints exhibited at Skar Image Lab. The images are selected from forty-eight small unbound booklets, each containing a sequence of watercolour and ink drawings.",[41,951,952],{},"Archival Pigment Prints on A4 Hahnemuhle Photo Rag, Limited editions of 25",[41,954,955],{},[89,956],{"alt":957,"src":958},"Unbound work","\u002Fimg\u002Funbound\u002FIMG_1119.webp",{"title":39,"searchDepth":44,"depth":44,"links":960},[961],{"id":946,"depth":44,"text":914},"2022-01-02",{},"\u002Fprojects\u002Funbound",{"title":914,"description":966},"A boxed set of forty-eight small 'unbound' visual booklets from which a suite of twenty-five A4, limited edition, archival pigment prints were exhibited at Skar Image Lab, Tāmaki Makaurau Auckland. ","projects\u002Funbound","Jotk9ORgY54jzxxu1V04nWrZpIrz3165IqF0u0F_TeU",1792141298113]